Denotative and Connotative Meaning in Divergent Movie (2014): Roland Barthes Semiotic Analysis
English
Keywords:
Divergent movie, Roland Barthes, semiotics, denotative, connotative, signification.Abstract
This research delves into the semiotic analysis of the five factions in the Divergent movie. By examining both the primary and secondary levels of signification, this study values embedded within the visual and narrative symbols of each faction. Through a qualitative descriptive approach, the research analyzes the signifier and signified associated with each faction. The data is then analyzed using Roland Barthes’ semiotic approach; the Primary Significance Levels are as follows: At the primary order of signification, Erudite denotes people who have or show knowledge from academic study. Amity denotes people who are friendly. Candor denotes people who think openly and honestly. Abnegation denotes people who are unselfish. At the primary order of signification, Dauntless denotes people who are brave. The secondary order of significance means that people in the Erudite faction are analytical, know everything, and are logical. People in the Amity faction are nurturing, kind, harmonious, and always happy. People in Candor prioritize truth, honesty, well-structured, and following hierarchy. People in the Abnegation faction are inflexible, selfless, self-sacrificing, and responsible. People in the Dauntless faction are tenacious, protective, and fearless.
References
Anggraeni, R. F. (2017). The portrayal of political power in divergent (2014) film UIN Syarif Hidayatullah Jakarta: Fakultas Adab dan Humaniora, 2017].
Barthes, R. (1968). Elements of Semiology. Farrar, Straus and Giroux. https://books.google.co.id/books?id=OVJhOA6iWxEC
Barthes, R. (1972). Mythologies. Hill and Wang. https://books.google.co.id/books?id=jP-DBAAAQBAJ
Bucholtz, M., & Hall, K. (2004). Language and Identity. In A Companion to Linguistic Anthropology (pp. 369-394). Blackwell. https://doi.org/10.1002/9780470996522.ch16
Chandler, D. (2007). Semiotics: The Basics. Taylor & Francis. https://books.google.co.id/books?id=utd_AgAAQBAJ
Creswell, J. W., & Poth, C. N. (2018). Qualitative Inquiry & Research Design: Choosing Among Five Approaches (4 ed.). SAGE Publication.
Cuddon, J. A. (1998). The Penguin Dictionary of Literary Terms and Literary Theory. Penguin Books.
Danesi, M. (2010). Pesan, Tanda, dan Makna: Buku Teks Dasar Mengenai Semiotika dan Teori Komunikasi. Jalasutra.
Dari, W., Lubis, F. K., & Hasibuan, J. R. (2020). Feminism in Veronica Roth’s Movie “Divergent”. Linguistica, 9(3), 339-346.
Dianiya, V. (2020). Representation of social class in film: Semiotic analysis of Roland Barthes film parasite. Profetik: Jurnal Komunikasi, 13(2), 212-224.
Fiske, J. (2010). Introduction to Communication Studies (3rd Edition ed.). Routledge. https://doi.org/https://doi.org/10.4324/9780203837382
Maheswara, R., & Prastiwi, Y. (2023). Gender Stereotypes by Presenting a Female Protagonist Portrayed in the" Neil's Burger Divergent (2014)" Movie. English Review: Journal of English Education, 11(3), 907-916.
Moleong, L. J. (2008). Metode Penelitian Kualitatif. Remaja Rosdakarya.
Nasirin, C., & Pithaloka, D. (2022). Analisis Semiotika Roland Barthes Konsep Kekerasan Dalam Film The Raid 2 Berandal. Journal of Discourse and Media Research, 1(01), 28-43.
Panofsky, E. (1991). Perspective as Symbolic Form (C. S. Wood, Trans.). Zone Books. (Die Perspektive als ‘symbolische Form )
Putri, A. F., & Inayah, A. (2022). A Semiotic Analysis of Aladdin Movie by Using Roland Barthes Theory. LUNAR,
Saussure, F. (1986). Course in General Linguistics (R. Harris, Trans.; C. Bally, A. Sechehaye, & A. Riedlinger, Eds.). Open Court. https://books.google.co.id/books?id=ynFDlLyjxR0C
Stevenson, A. (2010). Oxford Dictionary of English. In Oxford Dictionary of English. https://www.oxfordreference.com/view/10.1093/acref/9780199571123.001.0001/m_en_gb0265130
Vera, Y. (2024). A SEMIOTIC ANALYSIS OF OPPENHEIMER MOVIE USING BARTHES’S THEORY UIN RADEN INTAN LAMPUNG].
Wibisono, P., & Sari, Y. (2021). Analisis Semiotika Roland Barthes dalam Movie Bintang Ketjil Karya Wim Umboh dan Misbach Yusa Bira. Jurnal Dinamika Ilmu Komunikasi, 7(1), 30-43. https://doi.org/https://doi.org/10.32509/dinamika.v7i1.1406

Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2025 Dea Arianti, Irman Nurhapitudin, R. Myrna Nur Sakinah

This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.